I'm sticking to the plot I originally had, but the biggest changes are Silas' role and the timeline. These two things require a lot of changes throughout the novel in itself, but I'll, hopefully, be able to keep a lot of my scenes intact. I'm not so much as changing the story plot-wise--not this one at least--as much as I'm emphasizing new points and de-emphasizing others. And I like the consequences of most of those small changes.
As I told a friend, this draft is really a spaghetti test. For those who don't know, that's when you throw spaghetti against a wall and see what sticks. Some things I already know won't stick. Other things seem pretty solid to the wall. But I keep eyeing the noodles that dangle from the wall threatening to plummet to the floor. I probably won't know if it'll collapse or solidify until I'm much further in the re-write.
A lot of the time I feel like I'm floundering. I keep hitting blocks that appear so easy to fix once I figure out the solution, but I keep getting caught up with how it was originally written or with what I originally intended to happen. The changes I've made will make a lot of the things obsolete, but it's also opening up a lot of possibilities in other areas.
Right now my rewrite stands at about 14,000 words. By September 11th, perhaps sooner, I hope to be at 30,000--about half-way through the draft. I'm pulling a lot of scenes out of this draft though, so I'm losing a lot of words. If I were to keep what remains of my original draft just as it is now, and added it to the new changes I'd only have a 59,600 word novel, which is closer to a novella, I believe. It could be straddling a Novella and a Novel, depending on the source. And I know some people say that 50k is the minimum word count for a YA novel. I do have more scenes and sequences I need to remove to make the book work with the new changes, but I also have things I need to add, change and expand on. So, I'm sure my word count will get up where I want it/need it to be. Once I get through this draft and start cleaning up the spaghetti on the walls and floors.
These changes make me feel like my novel better fits the description I wrote for it. Strange, isn't it. The book is changing for the description, not the other way around? The description was close but I think the book had less focus on the plot points than the blurb suggested. Now, I'm not sure I can say that. So I, at the moment, don't believe the description needs to change. The title probably does, but I've long suspected that. And as I write this story I tend to have weird phrases pop in my head--they might work for titles but I think their are things inherently wrong with them.
Right now the title that pops in my head the most is: Serendipitous Pain.
That might work for an adult novel. Not sure it would work for a Young Adult novel. And if I stare at the words long enough, I start seeing a bondage porno thing playing out. Not at all the image I want for a YA novel. I don't know why I bother trying to figure out titles though. I don't seem to have a knack for coming up with them. Other titles I came up with include:
- Political Reprisals
- Wayward Games
- Depraved Politics
- Seasoned Spoils
- Shadowed Descent
- On First Appearance
- Died at the hand of Shadows
- Vampires Befriending Slayers
Okay. I think I'm done embarrassing myself. But simply calling it Regan Strommen seems too lazy. And some of my oldest titles, like Playing Deadly Games or All Our Secrets Are The Same probably won't work. So, for now, it's going to remain Shadowed.
Recommendations are always welcome on anything writing related--novel changes, book titles or story descriptions. Do you have any? And how is your own writing going?
Write well, even if it sucks.