Sunday, October 20, 2013
Jane is nine years old and an orphan when she and her young Aunt Louisa come to spend the summer at Jane’s grandmother’s house, a large, mysterious mansion in Massachusetts. Then one day . . . Jane stares into a reflecting ball in the garden—and the face that looks back at her is not her own.
Many years earlier, a child of rage and malevolence lived in this place. And she never left. Now Emily has dark plans for little Jane—a blood-chilling purpose that Louisa, just a girl herself, must battle with all her heart, soul, and spirit . . . or she will lose her innocent, helpless niece forever.
One of the most adored ghost stories of all time is available again after thirty years—to thrill and chill a new generation!
The story was good but slow and predictable. This is probably because it was written in 1969. Louisa is set up as the heroine in this story, and while she is observant, she doesn't save the day. I won't say who does for those who may be interested in this book.
This book does do a good job of letting readers learn about Emily through second-source reports. Clapp has Emily's doctor, Emily's mother and Emily's best friend talk about Emily, share stories that paint a convincing picture of a selfish little girl. If you have problems conveying information about a character that NEVER makes a physical appearance but whose presence is felt throughout the novel, this one would be a good one to study.
For those who want more than a horror story, Louisa and another character do fall in love throughout the small book. Though the way she does in the story, does not put Louisa in a flattering light. She has a boyfriend at the beginning of the story and starts dating the new guy before any issues arrived between them. Only after the romance begins does she have problems with her first beau and they never officially "break up." Granted, I don't believe Louisa intended to cheat on her boyfriend but being more open, and not just when she feels jealous at her boyfriend, would have put her in a better light.
This story has a love triangle in it. Louisa falls in love with the same person Emily proclaimed she'd marry before she died 12 years ago. Emily then decides the best way to break up Louisa's relationship was to arrange Jane's death. Jane doesn't die, but again, it wasn't because of anything Louisa did to stop it. I am glad to report the boyfriend isn't the one who stops it either.
If you don't mind books with a slightly slower pace than we've grown accustomed to and a story that has become predictable, again probably because of a change in society, you may find this book worth the read.